– Freejack is the 1992 cyberpunk exercise that famously posits Mick Jagger as Victor Vacendak, ice cold “bonejacker” from the far off void of 2009 who uses time-bending technology to harvest the bodies of the young and virile for elderly clients who fear death’s inevitable chilling blade; to stave off guilt the bonejackers only bonejack the bodies of people they know are about to die; as intriguing as this concept is, you are never not aware that you are watching world famous rock n’ roll icon Mick Jagger (no matter how much Spaceballs-looking shit they put on him)

– if a person somehow survives a bonejacking and escapes into the grimy depths of 2009, they become what is known as a freejack; Emilio Estevez plays the freejack at the center of this yarn, a race car driver named Alex who is utterly bewildered after being zapped from certain death to eighteen years in the future; New York City has become a dystopian hellscape—you know because people are playing Ministry records in broad daylight!—and he’s instantly a wanted man; thankfully Alex has a devil may care attitude and is also pretty quick with a one liner

– the strangest part of Freejack’s 2009 is that no one Alex knows has aged over the course of nearly two decades; apparently the culture of bonejacking is good for the skin

– Freejack is more plausible and absorbing than you’d expect a cyberpunk movie starring one of the Rolling Stones to be but it will also reinforce in you the notion that Blade Runner is a fucking act of god

– yes, Anthony Hopkins is also in Freejack, and more power to him for it

– this film seems like the perfect property to reboot as prestige television; imagine Zac Efron as the latest freejack, desperately searching for Emilio’s character, the only key to both their survival; also, Mick Jagger in that leather trench coat again, mewling out classic remarks like, “Just when I think I’m done with bonejacking, they pull me back in.”