My second book, Brave Punk World: The International Rock Underground From Alerta Roja to Z-Off, is about to go to press and is scheduled to be released mid-October. Here now, an info dump covering pertinent deets.
What’s the elevator pitch?
Punk rock may have started in the United Kingdom and United States, but it certainly didn’t stay in either country. The genre flew around the globe like a contagion, touching off simultaneous movements in nearly every market imaginable. Performing punk rock in many of these places wasn’t just rebellious, it was legitimately dangerous, thanks to regimes both oppressive and brutal. Brave Punk World immerses readers in these foreign scenes, describing the lifestyles and art of passionate, hard-charging groups who remain relative secret to the punk majority but who are just as crucial as the Ramones or the Sex Pistols. Punk diehards and travel enthusiasts with a taste for chaos will enjoy the country-by-country cultural explorations and wild stories offered within these pages.
How long is it?
Listings on the Internet say 324 pages but the most recent manuscript draft I was given to proofread says 365. So somewhere in that area.
Are there pictures?
Yes. Enough to keep you flippin’ (I think).
Is every punk band from every country in the world covered?
Of course not, a book that robust and in depth would probably be six times as long. Though I did my absolute best attempting to outline the birth of punk across Asia, the U.S.S.R. & Eastern Bloc, Western Europe, Africa, Central & South America, North America, and Oceania, some regions and countries are absent because they proved too difficult for me to accurately and fairly convey, or I ran out of time, or both.
Name some of the bands you talk about in this thing.
The Saints, the Stalin, W.I.T.C.H., Black Power, Los Violadores, the Buttocks, Tits, Dirt Shit, Dead Nittels, Proud Scum, Free Sex Shop, Anal Babes, Ebba Grön, Dangerous Rhythm, Third World Chaos, George Imbecile & The Idiots, Brutal Verschimmelt, the Comes, Ghoul, Lip Cream, Ulster, Los Estómagos, Los Prisioneros, Size, the Dishrags, Solución Mortal, Fifth Column, Teenage Head, National Wake, Hubble Bubble, J.M.K.E., Kuzle. That really is quite a small sampling of the galaxy included.
You actually talk to any of these bands?
Yeah, some of ’em.
You go to any foreign countries for your research?
Yes, I went to Mexico, Norway, Japan, and Brazil (though that last one didn’t work out very well). A few years prior to the conception of Brave Punk World, when I was just some drip curious about other lands, I spent small portions of time in Germany, France, and Canada (high points were usually the hours spent in record shops or conversations with new friends about punk rock).
Oh, that’s right, you had crowd funding for your research last year. If I contributed to that on a rewards level, when will I get my book(s)?
The second they’re off the press! Figuratively, of course. I will not be at the pressing place. I don’t even know where it is. As soon as I get my hands on ’em, I send ’em to you.
Where can I pre-order Brave Punk World?
Click right here. Use the promo code RLFANDF30 to save 30% off.
Will you tour for it?
If the book is optioned to be a trade paperback, yes. Currently Brave Punk World is only scheduled for hardcover release; as such, it will be marketed toward libraries and colleges and probably won’t appear at your local book retailer. The opposite will be true if the book becomes a trade paperback. Then this thing’ll be all over the place, and I will have reason to traverse this great land of ours so I may promote my work in person at every Uncle Timmy’s Book Hole and READIN’ TOWN that will have me.
What factors play into the hardcover being optioned for paperback?
If the hardcover sells a metric shit ton. So if you’d really like me to come to your town and nervously read out of Brave Punk World at some point in 2018 or 2019, buy the hardcover (or convince someone else to, or both).
Will you do anything to promote the hardcover release?
Yes. Specifically, interviews with whatever media outlets come calling and appearances at whatever institutions of higher learning will have me.
What’s the advanced word? Is this book actually any good?
Rolf Yngve Uggen, a.k.a. Raldo Useless, guitarist for groups like the Lust-O-Rama and Gluecifer, read the thing and said, “I absolutely inhaled this book! Greene’s writing is filled with enthusiastic taste and warmth and fascinating tales of anti-establishment action.” What more encouragement do you need?