Tag Archive | Chicago

On The Passing Of Mikey Welsh

It’s strange to think of Weezer as having a “tragic figure” (aside from the perpetually heart-swollen Rivers Cuomo), but that’s exactly the role Mikey Welsh played. Welsh, who was found dead Saturday in a Chicago hotel room from a suspected drug overdose, famously struggled with the pressures of major label rock stardom when he replaced founding bassist Matt Sharp for Weezer’s big year 2000 comeback. By his own admission, the Syracuse-born musician suffered a drug-induced nervous breakdown during the year he performed with the band, finally leaving Weezer in August of 2001 to pursue the more leisurely career of painting.

Welsh played on only one full Weezer recording, 2001’s Weezer (a.k.a. The Green Album), the album most discouraged fans point to as the last instance in which the band was any good. That subject will of course remain open for debate until the human race is extinct; if you care, yes, these ears find that Green’s breezy melancholy is one Weezer hasn’t been very successful in replicating on successive efforts, but let’s retread that well-worn ground another time. The important thing right now is that I can’t hear any part of The Green Album without thinking about Mikey Welsh. Welsh played smoothly from “Don’t Let Go” to “O Girlfriend,” and his glowering expression on the album’s sharp lime cover contrasts rather humorously with his band mates’ expressionless stares.

It’s unfortunate that the evidence is suggesting Welsh never fully got a handle on his personal problems, and for that reason the world’s now been robbed of an energetic, fashionable musician who proved to be an equally talented painter. It hardly seems fair when we have people shitheads like Pat Robertson and Fred Phelps still puttering around. Where’s the justice in that?

Mikey Welsh, born Michael Edward Welsh in April of 1971, is survived by a wife, two children, and Lord knows how many fans of alt rock. He will be missed.

Watch The Majority Of Danzig’s Chicago “Legacy” Concert

Glenn Danzig performed the first in his series of four 2011 “Legacy” concerts Friday night at Chicago’s Riot Fest, headlining the day-long event with a special set of material reaching from present Danzig day all the way back to his storied years with Samhain and the Misfits. Glenn’s strict “no camera” policy couldn’t stop one intrepid fan far in the back row from recording the majority of the performance (beginning from the Samhain chunk of songs). Check it out below.

Sounds pretty good, right? Those period-specific backdrops are sick, too. I just might have to try and weasel my way into the New York “Legacy” gig at Hammerstein later this month. Seriously, I’m a friend of Glenn’s sister, let me in.

Danzig may have put on a great show for his legions of skull-worshipping fans, but rumors are flying around the Internetz this morning about the expected backstage rigmarole. All singer Scott Reynolds hath apparently posted to the Facebook, “Had a great frickin’ weekend…I hung out with some of my favorite human beings in the history of ever! And I gained new respect for Glenn Danzig, because I never knew how much work goes into being such an egomaniacal douche nozzle.”

Hey man, if you spill Danzig’s kitty litter, be prepared to pay the price.


Overture of the Rebel Angels
Hammer of the Gods
Rebel Spirits
Twist of Cain
Her Black Wings
Devil’s Plaything
How the Gods kill
Dirty BlackSummer
It’s Coming Down

All Murder, All Guts, All Fun
Horror Biz
Unholy Passion
Let the Day Begin
To Walk the night
Mother of Mercy

Death Comes Ripping
Night of the Living Dead
Astro Zombies
Last Caress

Bringer of Death
Not of This World



Vocals: Glenn Danzig
Guitar: Tommy Victor
Bass: Steve Zing
Drums: Johnny Kelly

Vocals: Glenn Danzig
Guitar: Tommy Victor
Bass: London May/Steve Zing
Drums: Steve Zing/London May

Vocals: Glenn Danzig
Guitar: Doyle
Guitar: Tommy Victor
Bass: Steve Zing
Drums: Johnny Kelly

The Most Depressing Thing I Learned This Week

The video for “Bring the Noise” was shot in Chicago, not New York.

Two legendary New York-to-the-bone bands like Anthrax and Public Enemy come together, create this moment of indelible rap metal magic, and they shoot the video in Chicago? Talk about a blow to Big Apple pride. Next thing you’re gonna tell me is Woody Allen shot ninety percent of Manhattan in Vancouver.

Sigh. At least that explains why Chuck D is rocking the Bulls jersey.