Nothing pounds your brain into thin gruel quite like six hours on a plane. Here’s what I can remember from my trip to San Francisco for the Paul Williams tribute at Litquake.
“I wasn’t sure if you were being serious,” remarked my friend Wes as I entered his home, his gaze cocked downward at my electric blue sneakers. Prior notice had been sent out regarding the color of my footwear so I’d be easier to spot amongst the throng waiting for rides at the airport (Wes’s wife Erica was ultimately tasked with retrieving me). I guess this could speak to Wes’s suspicious nature. More likely it speaks to my infamous inability to project authenticity. Still, who would lie about such a thing? What’s to gain from giving your contact false clothing information, especially on the eve of a transit strike? Yeah, just look for the guy in the Big Bird costume. Contrary to popular opinion I did not want to spend my nights in San Francisco sleeping under the Golden Gate Bridge.
That night I had pizza from some generic pie place that didn’t totally offend the Brooklyn pizza snob in me. In fact, it was pretty darn good. Of course I had to go Hawaiian on the toppings, because pineapple is a fruit whose nutritional value is obviously not dulled by layers of molten cheese and slices of ham.
This fanciful dog is typical of the kind you see in San Francisco. You can’t really tell from this angle but he’s wearing a Darth Vader sweater vest.
Bay Area Rapid Transit was officially on strike as of this day, so I caught a ride with Erica over to Amoeba Records, a.k.a. music obsessive mecca. I forgot how overwhelming that warehouse can be. The clearance section for rock CDs alone is the size two regular record stores. The clearance section for rock CDs is so big I actually got physically tired flipping through its racks. Didn’t find anything revelatory in that archive but elsewhere I found cheap as dirt copies of the MC 900 Ft. Jesus disc with “If I Only Had A Brain,” the Angry Samoans album with the graphic head injury on the cover, and some CD-ROM the Meatmen put out in the mid-nineties. Bought all those along with as much Rocket From The Crypt I could carry. Then I walked across the street with my unshowered self and used the facilities at Whole Foods. I looked beyond homeless but the employees remained cordial. They’ve probably seen worse.
“We’re taking you to this place where you’re gonna have the goddamn biggest sandwich of your life!” said Erica after my Amoeba excursion. The eatery in question is called Deli Board and while I’ve had bigger hoagies or grinders or whatever you wanna call ’em the bastard I ordered (the Zeke; turkey, sprouts, and some other yaz) was mad big n’ tasty. For reasons unknown Wes and Erica both saddled me with their complimentary pickles; not one to waste food, I stuffed the green spears in my pockets and they became my go to snacks for later in the day.
Riding around San Francisco via car is like being on a roller coaster that never gets out of its moderately-paced introductory speed as you cruise up and over utterly ridiculous inclines and around unbelievably sharp curves. It’s one of the neater urban experiences you can have here in the States. Have they already based a Grand Theft Auto on San Fran? If not, they should. Talk about character. Now, this is all coming from a passenger’s perspective. I remember actually having to drive around the city in 2009 and my stress levels piloting a rented vehicle were definitely at Code Morton Downey, Jr.
There is street art all over San Francisco. This Ghostbusters / Simpsons mash-up spaketh (bespoke?) to me.
Dinner (all anyone cares about is food, right?): I met my former Crawdaddy! editor Angie Z in the Mission District for Thai at Thai House 530. Amazing chicken pad thai at that joint, and we managed to get a window seat so we could pretend to be zoo animals for all looking in. It sounds like I’m dissing that table but I’m not; we sat there long after the bill was settled because it was cozy and chill. Topics of conversation included NBA superstar Larry Bird, deceased humorist Michael O’Donoghue, and the Carrie remake (Angie endorses it).
While waiting for Angie to arrive before our meal I was standing around the corner of 18th and Valencia, just minding my own business and probably looking like an out of towner via my trusty Mets cap. A couple rounded the corner; the male, a trim slightly graying gentleman, was deep in explanation with accompanying hand gestures until my sneakers caught his gaze.
“Ooooh,” he said quietly. “Look at those shoes.” His face snapped up to look at me. “I like your shoes!”
“Oh, thanks.” What about the rest of me, big boy?
A subplot I have neglected to mention until now is the fact Wes and Erica were in the midst of preparing to move to Oregon during my stay at their humble abode. Saturday morning they left; luckily three other people live in that house, so it wasn’t just me and the carpet for the rest of the weekend. Two of these residents, Josh and Scott, are guys I know from those years in college I had myself convinced I was the next Mr. T Experience waiting to happen. We all spent a good chunk of this morning waxing nostalgic about the Central Florida punk scene of the Y2K era. We each have our little victories to still brag on (Scott and Josh’s band got on a Sex Pistols tribute album; my band opened for the Nobodys…sure, I had already quit / been canned, but I’m counting it). Josh’s girlfriend Tav cooked a fine brunch of eggs and hash browns and thirty-five pounds of bacon which was all delicious and insured I’d be nice and logy for the rest of the day.
I tried to take a nap before the Paul Williams tribute at Aquarius Records but I was too nervous about having to speak there. Solved this problem by walking to Walgreens and purchasing a couple Mountain Dews. Old habits die hard.
If I were smart I would have gone to Aquarius an hour early so I could thoroughly dig through their stacks. Alas, I am not in Mensa, and I only gave myself fifteen or twenty minutes before the Paul Williams thing to peruse. Aquarius isn’t a terribly big space but they do have tons of totally oddball stuff you gotta take your time to consider. With more time allotted I could have come to better conclusions about the Chinese and Finnish rock sections I flipped through. I also found a copy of Move Back Home by the Queers in the used section but immediate memory failed as to which edition of this album I already own (the original or the deluxe bonus track edition).
Came pretty close to buying the vinyl reissue of the Last House On The Left soundtrack until I remembered I had to transport the thing clear across the country. Potential breakage via clumsy packing and/or airport mishandling scared me off.
My friends have excellent taste in decor. I have near excellent taste in haircuts and Army jackets.
The tribute itself, “Paul Williams’ Greatest Hits,” went pretty well. I felt a little weird speaking because I think I was the only orator who hadn’t known Paul personally, but it seems like I did okay. No one threw rotten garbage at me. I just briefly talked about why Paul Williams is important to me personally and also our culture as a whole. There’s a slight chance I wasn’t speaking anywhere near the microphone for most of what I was saying but I think Aquarius was small / quiet enough to hear anyway. Thanks again to Denise Sullivan for inviting me out to participate in this event. Still honored and humbled to have been included.
We (the speakers) all got V.I.P. passes to Litquake’s after party, so we went to check it out. Open bar at a funky night club is cool, but not as cool as the cheap Mexi-Vietnamese tacos Powered By Pork were selling on the street outside. I was in fusion heaven. Aside from that, the highlight of this after party had to be hearing a few Clem Burke stories. Apparently the drummer from Blondie gets it done, by which I mean he doesn’t ever take no for an answer. So if you think you’re gonna be able to keep Clem Burke out of your son’s bar mitzvah, well, think again.
Super early flight home. Watery orange juice is $4 and change at San Fran’s JetBlue terminal. Worst part of the trip by far.
Thanks again to my hosts in San Francisco and all who came out / met up to party. Be back soon.
This is one of those things that makes my head throb, my chest sting, and my testicles ache. Crawdaddy.com, the Internet extension of legendary rock rag Crawdaddy!, is ceasing publication on July 22. The controlling bean counters have long been displeased with C-Dad’s relatively low traffic, but instead of investing a little time, energy, and moolah to improve the situation, they just went out and bought an already proven Internet winner. Hence, the return of indie music chronicle Paste Magazine, which Crawdaddy.com will be folded into.
I’ve been contributing to Crawdaddy.com since around the time it launched in 2007. It was enormously exciting to be included in a new chapter of this storied magazine’s saga. After all, Crawdaddy! was America’s first journal of rock n’ roll criticism, a volume whose silly name belied the groundbreaking and forward-thinking writing its pages contained. William S. Burroughs and John Lennon, C! contributors from way back when, generally didn’t lend their names to crap. I can’t tell you how thrilled I felt being Geordi La Forge to their Mr. Spock and Bones McCoy, as it were (Crawdaddy! founder Paul Williams would of course be Captain James Tiberius Kirk in this goofball metaphor that doesn’t even really make sense considering the mag first returned after its initial 1979 fold in 1993; guess that makes me Quark, or maybe Seven of Nine?).
It’s not for me to say if Crawdaddy.com matched the Crawdaddy! of yesteryear, but I can say firmly and proudly that between 2007 and now we produced a mountain of engaging, thought-provoking, and emotionally charged content. I am honored to have shared space with such great scribes including but not limited to Andres Jauregui, Dan Weiss, Denise Sullivan, Howard Wyman, Allie Conti, Mark Prindle, Ryan Wasoba, and Jocelyn Hoppa. Jocelyn was actually Crawdaddy.com’s Editor-in-Chief when I joined up; she did a great job running things and I’ll be forever grateful to her for giving me a shot at a time when I had more parking tickets than published clips.
At some point back there, Jocelyn stepped down and Reviews Editor Angie Zimmerman took over as EIC. The transition was seamless, and for once I could say I had a job where the new boss was just as awesome as the old boss. How often does that happen? Approximately never.
The best part about writing for Crawdaddy.com was the freedom. Our work was only edited for grammar, spelling, and factual information. We could write anything about anything, so long as it pertained in some way to rock / pop music, and I don’t mind telling you we were paid in the neighborhood of handsomely. That was, to steal a phrase from J. Springfield, an embiggening feeling. I’ve worked for other places that pay significantly less yet watch their content like the most conservative of hawks, desperate to adhere to a certain established mold. How sharply frustrating it is to hear from an editor that you can’t write x opinion piece because it might upset the corporate dictators, or to see a colorful phrase excised from your work because some stuffed shirt deemed it “uncouth.” Dried up stinky dog shit like that never happened at Crawdaddy. In the end, you were the judge, jury, and executioner of your own work.
That luck was also our downfall. The corporate dictators never looked at Crawdaddy.com beyond the visitor statistics. They couldn’t monitor our content because they didn’t know what it was. We could have been printing pages from Mein Kampf or a 1984 Toyota Celica owner’s manual and they wouldn’t have known. They just saw we weren’t getting hits, and hits equal revenue, and what we were doing obviously “wasn’t unique” or we’d be getting more traffic than every porn site combined.
I think anyone who spent more than a few minutes perusing Crawdaddy.com, whether they liked it or not, could ascertain that we were doing something unique. It wasn’t a catalog of list-based journalism or trend-riding link bait. Obviously part of the blame here lies with The Social Network, a movie that convinced a lot of old white men that websites are only worth a damn if they can get you blown in a men’s room.
But I kid Aaron Sorkin. It’s not his fault Papa left us for someone younger with bigger
tits SEO. I guess that’s just business as usual. It’s still heartbreaking, though, because Crawdaddy! has such a rich history and recently it felt like the website was really growing and reaching more faces awash in LED glow. Now everything we did over the past four years is going to be relegated to a dusty wing of an already too-cluttered web presence. It feels like the end of Raiders, but the inevitable sequel isn’t so inevitable.
I’ll be blogging like regular over at Crawdaddy.com for the next two weeks, so keep tuning in for the requisite updates about Glenn Danzig, Axl Rose, and archaic ’90s rap groups. The motivation is faltering, but I know many of you out there are fans and appreciate the C-Dad, and that keeps me from spending my days face down in the bathtub marinating in a small pool of warm Sprite and my own filth. Thank you sincerely for your support.