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Here’s a collection of factoids, stories, and rumors I couldn’t squeeze into A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever (on sale now where ever fine books are sold).
— Sigourney Weaver and Meryl Streep both attended the Yale School of Drama in the early ’70s and a blurb in Spy magazine 20 years after the fact claimed these two students had beef; an anonymous source called it “an unspoken feud” but a feud nonetheless because Streep got all the play parts over Weaver; Weaver was apparently iced out for being too tall and too weird (it is said she sewed up her own “elf costumes” to wear around campus); as another source put it, “Sigourney and Meryl have never been friends…Sigourney has always been annoyed by Meryl’s great lady act”
— between 1974 and 1979, Ghostbusters composer Elmer Bernstein had a mail order soundtrack club where he re-recorded other people’s film scores; these re-recordings included Franz Waxman’s The Silver Chalice, Alfred Newman’s Wuthering Heights, and Miklós Rózsa’s The Thief of Baghdad; Bernstein’s son Peter he told me his father lost money on this project but Elmer didn’t care because he was doing it for the love of the music; Film Score Monthly released the entirety of Bernstein’s soundtrack club recordings on CD in 2006
— Walter Peck actor William Atherton used to claim that the philosophical teachings of Aesthetic Realism “cured” him of homosexuality; Atherton performed live testimonials about it around New York City and even went on “Donahue” in 1981 to discuss the “permanent” change he and hundreds of other followers made to heterosexuality (watch the episode here); obviously this was extremely controversial and many derided Aesthetic Realism as a dangerous cult; I’ve heard that Atherton himself eventually felt hoodwinked by the whole thing and disavowed it, which I hope is true; Aesthetic Realism still exists but they stopped promoting a “cure” for being gay decades ago
— in 1983, “Tonight Show” staple David Brenner filed a lawsuit against Warner Bros, Matty Simmons, Harold Ramis, and John Hughes for stealing the idea for National Lampoon’s Vacation from a 1979 script Brenner wrote called Goodbye Grandma; Brenner claimed he submitted his script to “one or more” of the defendants beforehand and he sought nearly $40 million in damages; it’s unclear how this was resolved
— according to Ghostbusters editor Sheldon Kahn, the levitation rig used during Sigourney Weaver’s possession scene belonged to Ivan Reitman’s old pal Doug Henning; I attempted to confirm this with Henning biographer John V. Harrison (author of the awesome book Spellbound: The Wonder-filled Life of Doug Henning) but he wasn’t sure; I also e-mailed Henning’s widow Debby but she never responded
— the hare krishna acolyte seen at the end of Ghostbusters is a guy named Stephen Friedland who had a recording career in the 1960s under the name Brute Force; no less than George Harrison was a fan of Brute and tried to get his quasi-obscene novelty ballad “King of Fuh” out on Capital Records and EMI; when those labels blanched, the Beatles pressed up 2,000 copies of “King of Fuh” on their own label Apple; it is apparently the rarest Apple release in existence
— because every aspect of his life was covered by the press, I can tell you Michael Jackson saw Ghostbusters on July 5th, 1984 with his brothers in Kansas City; the Jacksons were in town to play the first three shows of their Victory Tour at Arrowhead Stadium; considering how much acrimony erupted between the Jacksons during this tour, it’s possible Ghostbusters was the last non-contractual outing they all enjoyed together
— Tracey Ullman was complaining about the scripts she was being offered during a 1985 interview with The Toronto Star when she went on a rant about Ghostbusters, calling it “childish” and “rubbish” and a “who’s got the biggest willie” movie; this culminated in Ullman saying that Harold Ramis was “as funny as anthrax”; in all my years of research, this was the meanest thing I ever saw anyone say about Ramis; comedy is subjective, of course, and I don’t find Tracey Ullman very funny (I like her singing though)
— Mel Brooks asked Ray Parker, Jr. to write some music for Spaceballs but Parker turned Brooks down because he was, and I quote, “too busy fooling around, doing something, chasing girls or waterskiing”; yes, he regrets this
— if you’ve seen the 1988 film Storm Warriors starring Mark Keyloun, Marlise Richards, and Gozer herself Slavitza Jovan, consider yourself lucky because it was never released; in fact, Storm Warriors was axed shortly after the trailer debuted at Cannes; the ad they ran in Variety for the film has me intrigued so let’s hope an unearthing occurs soon
— Ivan Reitman said once or twice that Julia Roberts auditioned for Ghostbusters II when it appeared Sigourney Weaver wouldn’t be coming back; Roberts was 21 at the time, so as a love interest for Bill Murray that was probably a little too Blame it on Rio
— in 1990, Dan Aykroyd had a project with Al Franken and Tom Davis called “Nixon in The Navy,” a five part comedy series about Richard Nixon’s military service; he imagined they’d put it on basic cable
— I wanted to interview the women who wrote the 1995 movie Casper for my book because I had questions about Dan Aykroyd’s cameo as Ray Stantz; they said no, we have nothing to say, it’s just a silly joke people blow out of proportion; that’s not a direct quote because they asked not to be quoted
— Ghostbusters: The Video Game mastermind John Melchior told me a little bit about working on Simpsons: Hit & Run, specifically that Hank Azaria was the easiest “Simpsons” actor to work with and that Harry Shearer threw a fit and walked out mere seconds into his first recording session when he saw a grammatical error in the script
Never mind the bollocks! I’ve appeared on two UK-based podcasts as of late to promote A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. There’s a video component to both programs and that split screen technology really makes me feel like Bernard Shaw. On Ghostheads UK, I had a wonderful conversation with host Jamie Burns (and he hadn’t even finished the book yet!).
I had another wonderful conversation with Ben Veal on Good Journeys, a podcast of “inspiring stories” and “inspiring people.” I’ll try not to let that go to my head. Ben admitted he was jealous of the replica Vigo painting in my living room. Unfortunately I couldn’t put it behind me during the podcast recording in my bedroom because that thing is bolted to the wall.
Thanks again to all the UK Ghostbusters fans for taking the time to check out my book. I really appreciate it! By the way, my wife and I have been watching the old “Lovejoy” show with Ian McShane and it’s the perfect tonic for these troubled times. That Charlie Gimbert is such a scoundrel!
My new book A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever was only released in the UK eleven days ago but already it’s sold out. It may have actually sold out well before the release date, as I’ve heard from people who preordered months ago and still haven’t received their copy. What can I say but thanks, UK! More books will wash up on your shores next month. I’m sorry they can’t get there sooner. Apparently the publisher sends them on a boat. Too heavy for a plane, I guess. At any rate, I appreciate your patience and hope it’s worth whatever wait you must endure.
Would you like to hear me talk about A Convenient Parallel Dimension on yet another podcast? You’re in luck. I was recently a guest on the Ghostbusters fandom podcast Extraplasm. Click here to listen to my chat with show host Jim Maritato. We chop it up about all sorts of stuff. And unless he cut it out, you can hear me rant about how John Landis should be in prison.
In a related story, I wasn’t expecting a single mention of Ghostbusters when I started Punk Paradox, the memoir by Bad Religion singer Greg Graffin, but that’s my fault for not remembering Bad Religion’s emblem (a black cross in a red circle with a slash through it). Graffin spends a few pages in the book discussing the creation of that emblem in 1980 and how prevalent the red negation symbol became thanks in part to Ghostbusters.
“It’s likely that our fortuitous association with this friendly red circle backslash helped to pave the way for our band’s logo over the years,” he surmises. “In America at least, I’m sure that the Ghostbusters symbol and the ‘No Parking’ graphic image helped to diffuse any possible antagonism from religious groups. We were never antagonizers — we were simply the antithesis of the symbol we were slashing: you won’t find religion in this house.”
I’m halfway through Punk Paradox and it’s tough to put down. I’ve been into Bad Religion since I was a teenager in the Freaking 1990s but I never took the time to learn very much about their history as underdogs in an underdog genre. I always assumed Graffin was more or less a good egg — thoughtful, principled, compassionate. His book confirms that. And he calls out bullshit when he sees it. Case in point: he really tears into Youth Brigade for all the baloney they put in their famous documentary Another State of Mind.
Another cool memoir I read recently is Bob Odenkirk’s Comedy Comedy Comedy Drama. Nothing about Ghostbusters in there that I can remember but plenty about how miserable he was writing for “Saturday Night Live.” Has anyone ever had a good time working on “SNL?” Anyone besides Kenan Thompson and Don Pardo?
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This week A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever was released across the pond so I hope all the UK ghost heads are ready to check it out. Blackwell’s and Waterstones are just two of the fine UK retailers who carry the book. My apologies to anyone who preordered it from Amazon UK; for some reason, they are sticking to a release date of February 17th. Strike four thousand against the Jeff Bezos website.
Let me also remind you that the audiobook of Parallel Dimension as read by Tim Dixon is available via Google Play and Apple Books. Tim did such an amazing job and working with him was very cool. Thanks again, Tim!
So it looks like they’re gonna start filming another Ghostbusters movie pretty soon. This time I hope they bring back Janosz!
Bloody Disgusting has published a very flattering review of my new book A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. Ike Oden writes that ACPD is “the definitive, unexpurgated story of the beloved film franchise and its central players. Finally, ghostheads have their own gospel, a Tobin’s Spirit Guide of thoroughly researched and thoughtfully disseminated Ghostbusters history.”
Oden sums up the book as “an addictively written, utterly engrossing read, and an absolute must-have stocking stuffer for fans this holiday season.” Thanks! Although I don’t think the book will fit in a stocking. Maybe you should wrap it up with a nice ribbon.
Remember, if you buy A Convenient Parallel Dimension directly from the publisher right now you can save 35% off with the code 22JOYSALE. This is a cool deal. It saves you some money and ensures that absolutely no money goes to Jeff Bezos. Sale ends on January 6th, 2023.
Speaking of odious billionaire scum, Elon Musk was making it feel extremely gross to remain on Twitter so I deactivated my account. It’s a bummer. For all its pre-Elon problems, Twitter was tough to beat as a news aggregate. There were tons of people on there who clued me in on social issues that never got amplification anywhere else. It was an awesome comedy aggregate too. The hardest laughs in the past decade came from anonymous weirdos tweeting like they had nothing to lose. Most importantly, I met my wife on Twitter.
So Twitter was a valuable resource in those respects and it sucks that the world’s richest edgelord is tanking it because all his kids hate him and his all his ex-wives hate him and everyone sensible person in the world hates him because he’s perpetually full of shit and his cars keep murdering people. Just another reason this country needs a maximum wage. No one should be able to spend $44 billion on a utility just so they can treat it like a pile of Legos. Billionaires should not exist!
Meanwhile, the rest of us are just trying to afford groceries. That reminds me — if you enjoy my writing, please consider becoming a paid subscriber to this blog. For the nominal fee of $2 a month, JG2LAND PREMIUM unlocks a tier of exclusive content that’s continuously growing. Here are the pieces subscribers have enjoyed thus far:
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Enjoy your holiday season and remember, the pandemic is not over. Please keep masking and avoiding large crowds. Let’s make 2023 the safest year yet. I mean, as safe as we can be in a country with no gun control.
The audiobook of A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever has been released! It’s available via Google Play (click here) and Apple Books (click here). Twelve engrossing hours narrated by the incredible Tim Dixon. What better way to drown out the ills of the world?
Of course you can still buy the silent, three dimensional version of ACPD and if you buy it directly from the publisher right now they’ll take 35% off the price with the code 22JOYSALE. Wow, not a bad deal. Click clicky!
The best deal of all is free, so ask your local library to get a few copies of A Convenient Parallel Dimension if they haven’t already. Support your local library! Support all libraries! They are vital to functioning communities!
Still on the fence about reading this book? Consider these critical appraisals. “A deeper dive into Ghostbusters than anything before,” says Chris Stewart, founder of long-running Ghostbusters news source Proton Charging. “I love this book like Winston loved New York!” raves Book Bits emcee Dave Kirby. Noted Ghostbusters fan / historian Alex Newborn also posted a very positive video review on his YouTube channel.
I’ve been on two podcasts to talk about ACPD — Episode 253 of People Are The Enemy and Episode 149 of The Hungry Trilobyte Podcast. Big thanks to Andy Mascola and Aaron Bossig, the respective hosts of these shows. Both are awesome dudes.
Well, that’s the update for now. Thanks to everyone for your interest. I hope bustin’ always makes you feel good.
Why did Yaphet Kotto turn down a role in the original Ghostbusters? What was Slavitza Jovan doing before she was Gozer? Was there a fistfight on the set of Ghostbusters II? What was it like making the 2016 reboot? What’s the deal with that “Ghostbusters go to Hell” script? All these questions and many more are answered in A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever, the most thorough and detailed book ever written about this famous film franchise. Written by me, Jim Greene!
The official release date for A Convenient Parallel Dimension is 11/1/22 but tale is told that people are beginning to receive preordered copies right now. Not sure what the story is there but I can tell you if you buy this book directly from the publisher at Rowman.com instead of Amazon I make more money. So take that into consideration when making your purchase. Of course, it’s not about the lettuce. Ask your local library to get some copies so people can read this incredible history for free.
Early reviews have been flattering. Noted Ghostbusters fan / historian Alex Newborn offered a very positive video critique of the book. Proton Charging, one of the longest running Ghostbusters news aggregates around, made me blush when they compared my work to the Webb Telescope. Keep the praise rolling in, folks. I actually love compliments.
Not sure what else to say right now other than thank you to everyone who’s been supporting A Convenient Parallel Dimension. I’ve never worked this hard on anything and I can’t wait for all the ghost heads to read it.
I wrote a book detailing the history of the Ghostbusters movies (all of them, even the ones they didn’t make). It’s called A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever and it’ll be published this November by Lyons Press. Click here to preorder it. I’ve said it before and I’ll say it again — I thought I knew everything about this franchise…then I started work on this book. I think you’re gonna love it.
Before A Convenient Parallel Dimension, I was working on a book about the Guns N’ Roses album Chinese Democracy. You know, the album it took them 15 years to record and release. I am pleased to report that Backbeat Books has asked me to complete the Chinese Democracy book for 2025. What can I say? Take me down to Paradise City.
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Thank you for all your love and support. Now let’s try to relax before Rob Zombie’s Munsters comes out and the discourse becomes unbearable.
This November, Lyons Press (a division of Rowman & Littlefield) will publish A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever, a comprehensive history of the Ghostbusters film franchise authored by me, James Greene, Jr. Please scroll past the beautiful cover to learn more.
I spent four years researching this book, digging through vast library archives to paint as accurate a picture possible of the Ghostbusters films they made, the Ghostbusters films they didn’t make, and all the talent involved. I also conducted scores of firsthand interviews and curated a nice selection of pictures for the middle section.
I’ve said it before and I’ll say it again — I thought I knew quite a bit about Ghostbusters before I started A Convenient Parallel Dimension but oh was I wrong. It is my sincere hope that this proves to be the case for many readers. I also hope people who don’t know anything at all about Ghostbusters pick this up and say, “Hey, I like learning about these wacky ghost movies!”
Don’t want to say anything else as the manuscript is still being copyedited but I can’t wait for everyone to check it out. Ask your local independent book store to put A Convenient Parallel Dimension on their list today!
Cinematographer László Kovács purposely shot the original Ghostbusters like a drama, avoiding the bright tones that usually signal comedy, so every element would feel credible. This is why the movie’s frights are so frightening and why so many people today view Ghostbusters not as a comedy but as a supernatural adventure with a handful of jokes.
The marketing for forthcoming third chapter Ghostbusters: Afterlife is playing to that crowd by emphasizing a solemn cadence. A new trailer debuted last week that reiterates the narrative threads we’ve been given about wayward teenagers slowly unearthing the truth about what is now an unspoken legend of yore, the Ghostbusters. It’s very Force Awakens. Well, why not? The Force Awakens made $2 billion worldwide in 2015, revitalizing Star Wars after a generation in the weeds. Not a bad template to copy.
Whatever Ghostbusters: Afterlife actually is (laugh riot? creep show? rural youth dramedy with paranormal elements?) the commercials make it look interesting. I’d like to see it. My enthusiasm is tempered by the fact Afterlife has become an avatar for our impatience with COVID.
Experts were saying pretty early on that even in the best of circumstances the pandemic might last until 2025. Everyone else wanted to measure this crisis in monthly increments. Afterlife’s release has been delayed three times in the past year and a half. The filmmakers insist it must be experienced on the big screen. Of course; a strictly theatrical release generates the most profit. Will life “return to normal” by November? Skimming headlines about the Delta variant and all the children who are getting sick now because half the country still believes wearing a mask and getting vaccinated is a matter of personal liberty, I’d say no.
Maybe if everything had shut down last year until our daily COVID infection and death rates dropped down to zero, we would have seen Ghostbusters: Afterlife already. Can you imagine a world where we’re already intimately familiar with Muncher?