Star Wars celebrates 40 years of escapism, influence, and cultural currency today. The founding chapter of this now colossal property was released May 25, 1977, across a pittance of screens. Popularity ignited like a house on fire and before anyone could blink this thing was obliterating contemporaries like A Tale of Two Critters, Herbie Goes to Monte Carlo, and Viva Knievel!. Only Smokey And The Bandit gave Star Wars any kind of run for its money, and there’s still a gap of about $180 million in domestic gross between the two. Burt Reynolds just couldn’t charm his way around Chewbacca.
There’s a documentary feel to the 1977 Star Wars which helps it resonate deeply, a framing where the audience isn’t following narrative but observing environment; the awkward broth of fantasy exposition is dismissed and we’re allowed to ferret out details as we witness events in these alien realms. This is especially true of desert planet scenes where the robots fumble along, get swooped up by the junk dealers, and are unceremoniously dumped into Luke Skywalker’s life. This fly-on-the-wall style counters so many other sci-fi films that desperately want to impress upon you their grandiose, mythical nature. Star Wars just drops you in there and lets many fantastical moments unfold nonchalantly, because these characters see lasers and blue milk every day.
Pivoting on that point, one of the best decisions George Lucas ever made was to insist this beginning Star Wars is actually the fourth installment of a who-knows-how-long saga. That let our imaginations go purple trying to fill in the priors. As incredible as the visuals and characters in Star Wars are, they suggest much more with that context. On the other side of the ewok, one of the dumbest decisions George Lucas ever made was giving in to temptation and actually filming the first three chapters, bluntly extinguishing the dreams we spun for ourselves across several decades.
Star Wars numbers four and five came before one, two, and three; there are probably those who also believe the immediate sequels—1980’s The Empire Strikes Back and 1983’s Return of The Jedi—should have never been made, allowing the 1977 film to remain the purest of entities. Foolish mortals! Star Wars made so much fucking money it was never going to be singular. Let’s just count our blessings over the miracle of The Empire Strikes Back, that rare sequel which bests its founder in pulp, artistry, and thrill. Star Wars 6 and 7 (and Rogue One) are great too, but there’s just something about the dreamy nightmare of Empire that cannot be equaled.
Of course, Star Wars at 40 is more of a conglomerate than ever, absorbed by Disney so they can have Darth Vader roaming the halls of their luxury hotels with minimal overhead. Star Wars belongs to our entire planet but it’s a U.S. invention and there’s nothing more “American” than celebrating a successful business. So rats off to maximizing profits and creating a global brand. And thanks for being so lenient with the fans who have restored and distributed the theatrical versions of the ’77 movie and its two sequels; this must be an admission of guilt or disagreement regarding “the vision” George Lucas suddenly decided he had for the original trilogy in 1997.
What else is there to say? Nanu nanu, put more Greedos in Star Wars 8.
Bluray.com posted their take on the Star Wars Blu-Ray set Monday, the final sentence of which finds writer Casey Broadwater triumphantly stating “the films have never looked or sounded better.” Sure, things aren’t perfect—Broadwater is especially disappointed with the soft image quality of Phantom Menace and tags the latest round of CGI updates as “goofy”—but that’s small potatoes since the original trilogy now looks “amazing,” apparently free here of the wild color fluctuations that plagued the 2004 DVDs.
Geoff Dearth of The Digital Fix disagrees on that last point, stating in his write-up (also posted Monday) that the colors of the original films on Blu-Ray are “still far too oversaturated.” “Skin tones vary wildy,” Dearth notes, “looking lobster-pink in one shot and golden brown the next.” Various audio elements also let down, particularly the ADR work heard in Star Wars, The Empire Strikes Back, and Return of the Jedi. In the end, Dearth laments that these Blu-Rays “don’t quite do [the Star Wars movies] justice.”
Strangely, Dearth’s review makes no mention of Lucasfilm’s highly contentious digital revisions. Either Geoff is one of those “ain’t gonna dignify that kinda stupidity with a remark” type of guys or this whole “Special Edition” nightmare is the hallucinogenic result of too much plastic in our drinking water. All I’m trying to say is I never noticed Greedo shooting first until around the first time I put my lips to an Evian bottle.