Here now are those stories, collected in one easy-to-look at PDF. Who was nice / cool to me while I was making This Music Leaves Stains? Who wasn’t? What was the book tour like? Also, selected pieces of Misfits lore deleted from Stains that you might not be overly familiar with. Please, come inside and read You Can’t Come Inside.
If you want to absorb this thing for free, be my guest. If you want to give me money for it, wow, that’d be fucking cool. Think up an amount and Paypal or Venmo jgreenejr at gmail dot com.
Click the cover image or click this –> You Can’t Come Inside
The photograph on page 42 was taken by Rob Farren, whose name was accidentally omitted from the credits. James Greene, Jr. regrets this error. James Greene, Jr. also regrets the typos on pages 6 and 14.
Thanks for indulging me. I love you all.
Just them Lodi boys makin’ some noise at Riot Fest East. Photo by Alf Berg.
Second verse, same as the first: the Original Misfits got up there in Chicago and played the hits like Famous Monsters never happened. Remember when mere mention of this band would send Glenn Danzig into convulsions? Now he’s done two reunion gigs with them, his mood at both jovial. “I bet a lot of you have kids you take trick or treating,” he opined last night. “Scream your ass off if you take your kids trick or treating!”
I wan’t there. I wasn’t at Denver Riot Fest either. The reasons are myriad. I felt skepticism that any of this would really go down, or that it might veer into disaster if it did. The venue struck me as wrong; the Misfits in their glory days were always a club band, and while I’m happy they can command headlining festival slots in 2016, an engagement at Irving Plaza would have been more spiritually authentic. And, of course, this assembly is not really the original Misfits—it is Most of The Original Misfits Featuring Dave Lombardo. Jerry and Glenn must have had a Batman v Superman moment where they both realized they dislike all the actual Misfits drummers with the same passion.
Call me fussy, call me prissy, call me a freelance hillbilly with a snoot full of honeybees. Denver and Chicago aren’t exactly around the corner. Yes, I feel some regret, but I also wouldn’t be having this discussion if the reunion had been Glenn, Jerry, Doyle, and Arthur Googy at the Whiskey a Go Go. Solace is located in the fact that 2017 is the 40th anniversary of the Misfits’ founding. I’d bet my collection of bird skeletons that something auspicious along these lines will occur to commemorate four haunted decades.
If not, there’s always the YouTube. You know, I never saw the Misfits when Danzig was in the band between 1977 and 1983. I’m keeping a streak alive.
Blackheart Acey Slade, Jerry Only, Doyle, & Glenny D. Photo by Alf Berg.
And so it came to pass; Glenn Danzig and Jerry Only met between a pair of twelve foot jack-o-lanterns to belt out an hour’s worth of Misfits songs for the ultra devoted. No fistfights or lawsuits broke out onstage. Everyone seemed to be having fun, including Glenn, who is allergic to most forms of humor. In fact, at certain intervals, it sounded like this ferocious hound of hell was workshopping his standup material—and the crowd was loving it.
Part of me wants to chastise Riot Fest organizers for not offering a high quality live stream of these Misfits, something for which I and many other fiends would have paid a nominal fee. A greater part of me understands that cacophonous cell phone videos are more in keeping with the live recording legacy of this band. Even through pigeon shit fidelity you can tell the ‘Fits performed well, holding perfect tempo and pressing their fervor into the music (Glenn especially). A few clips have moved me emotionally.
The million dollar questions now: will Chicago receive a concert of similar character or will the bloom be off the skull in a couple weeks? Will there be future gigs in other cities? Will there be an album? How will all this affect eBay sales of Graves era merchandise?
The rumors were true: former Slayer drummer Dave Lombardo is the fourth participant in the Misfits reunion scheduled for Riot Fest 2016 (the first show of which is this weekend), overcoming the major obstacle of having never been a member of the band. Namaste, Dave.
Look, I love Dave Lombardo’s work. He’s a monster, an icon, an innovator. I listen to those Slayer records all the time. I’m intrigued to hear what he’ll do with material from Static Age and Earth A.D. It’s just that the original Original Misfits had five or six different drummers, and they’re all still alive. Glenn and Jerry couldn’t bite the kielbasa and get Googy for these two gigs? Make it a true reunion? There’s no way his fee is higher than Lombardo’s.
I get it. The Original Misfits™ have to consider the fact that this reunion could grow legs. Dave Lombardo has more experience than every Misfits drummer combined (some of whom haven’t even looked at a set of drums since “The Jeffersons” was airing). He’s prepared at any time to do other festivals, or a tour. More importantly, he has no pre-existing issues with Glenn or Jerry. Dave’s not gonna make trouble over some shit that happened in 1981.
Also, remember: this episode is mostly a legal resolution, an agreement between Glenn and Jerry so they stop dragging each other to court over pictures of skulls they stole from somebody else in the first place. So how heartbroken can anyone be? Shouldn’t we just be glad these guys have finally stopped suing each other?
Hire Charo as the drummer for all I care—I’m tired of reading legal documents. They started stacking higher than your records years ago.
Original recipe Misfits Jerry Only and Glenn Danzig, 1979. Photog unknown.
In not very surprising news considering the recent past, founding Misfits Jerry Only and Glenn Danzig have announced they will take the stage with Jerry’s brother Doyle and a drummer to be named later for several performances as “The Original Misfits” at 2016’s Riot Fest. We understand this to mean Glenn and Jerry have finally stopped suing each other over ownership of the Misfit logos and skull faces. Fantastic. I’m excited to see the exclusive merch they plan to roll out for this landmark concert engagement.
My enthusiasm for the reunion itself is mild. Of course Danzig goes back to the Misfits, driving a stake through the heart of its legal monster with option to make a final artistic statement on the matter if he chooses. Of course Jerry agrees, because it’s spectacle (and profitable). A bigger surprise would have found Danzig buying back the performing rights to the Misfits and icing Jerry out for the rest of his life, or Danzig retiring from music and moving to Nepal to become a monk. Sting went back to the Police. Nesmith went back to the Monkees. Of course Glenn Danzig goes back to the Misfits.
Everyone goes back to the well—especially if the well vomits money.
Obviously there is also cynicism in my heart that any of this will actually happen. Riot Fest is four long months away, and these guys have lived in acrimony for a far greater period than they ever spent making music. Will Jerry and Glenn make it to September without another donnybrook or injunction? Maybe if the Original Misfits drummer is one of their lawyers.
It’s like the Mets. I wanna believe, but history and logic tells me otherwise. Stranger things have happened, I suppose. We’ll see come September.
The other Jersey boys: Glenn & Jerry, 1978. Photo by Ken Caiafa.
If you think the legal skull-banging between Glenn Danzig and Jerry Only ended in August of 2014 when Judge Gary Klausner threw out Danzig’s lawsuit against Only for breach of contract, think again. Danzig amended his complaint and the case over who owns the logos and trademarks pertaining to the Misfits drags on; opening briefs related to Danzig’s most recent appeal of a summary judgment Only won in April 2015 are being filed this month.
And yet, in an incredible shock, this entire affair was nearly settled over the winter holiday of 2014 by having Danzig rejoin the Misfits. That December, Danzig’s attorney suggested his client (who dissolved the group in 1983 after a six year run) and the defendant (who reformed the Misfits without Danzig in 1995) agree to a certain amount of reunion concerts, split the profits, split all future revenue from the disputed trademarks, and consider entering a new licensing agreement together with a major merchandiser. Only was receptive, so negotiations began for the first Misfits shows with Danzig in thirty years.
A proposed 60/40 reunion profit split in Danzig’s favor was leveled to 50/50. A ten date concert tour shrank down to six—but “at least one” reunion album was added. All other participating Misfits, no matter what their stature, were to be treated as “paid employees.” In response to Only’s demand for built-in protections to ensure Danzig would actually follow through with these gigs, Danzig’s attorney wrote, “I really don’t think this will be an issue as Danzig wants to do the reunion shows” (a $250k penalty was put in place should either party fail to complete the reunion obligations).
Initially Danzig envisioned the reunion happening in 2017 to commemorate the 40th anniversary of the Misfits. Only wanted it “as soon as practicable.” Only also wasn’t fond of billing these performances as “the Original Misfits” (though no alternate name was suggested). The real breakdown, however, was over the same trademark issues that instigated Danzig’s lawsuit in the first place. Confusion as well as contention remained over who owned what and who was entitled to how much of any given piece of Misfits imagery. Specifics failed to be clarified, certain copyrights could not be identified, documents proving anything conclusively could not be produced.
The two sides went back and forth until February 10, 2015, when Danzig’s attorney ended an e-mail by saying, “it appears we are going to try this case.”
Dovetailing with that was some rigamarole over depositions each party was to give that month. Danzig felt he wasn’t given enough time to prepare for his scheduled deposition so he bailed at the last minute; meanwhile, Only and his co-defendant, Misfits manager John Cafiero, refused to commit to any deposition date or agreement. On April 15, the defendants were awarded their summary judgment because Danzig had provided no evidence of the pre-existing business relations that Only is alleged to have sabotaged with his fraudulent ownership and representation of Misfits trademarks. Danzig also could not prove “lost economic advantage” from Only’s activities, nor could he outline “triable facts” concerning Only misrepresenting the famed Misfits skull logo (a.k.a. the Fiend Skull, a.k.a. the Crimson Ghost).
The information above is sourced from a forest of court documents that are available to anyone via Pacer.gov and probably a few other less bullshitty legal repositories (Bortz Law first posted excerpts from said documents on their blog in October 2015; for whatever reason, Bortz’s post didn’t reach fiends until very recently). The case is Glenn Danzig v. Gerald Caiafa et al in the California Central District and at this point it could be a book unto itself. There’s a great subplot that debates whether or not Danzig performing a Misfits song in any context constitutes a performance by the Misfits.
If I hadn’t seen it all in PDF form myself I wouldn’t believe it. The American judicial system almost returned to us the Original Recipe Misfits. Concerts are one thing, but I can’t stop thinking about the reunion album. What in the hell would that be like? What could they call it? Settlement A.D.?
Parties Agree Not To Disparage Each Other Publicly, that would be a good title. It’s my favorite of all the terms they reached for this proposed reunion.
Misfits news lying on a table of filth, Misfits news to which I’ve not yet replied.
Although an exact reason for his departure was not given when Dez Cadena left the current incarnation of the Misfits back in June, it turns out the guitarist is battling throat cancer. You may contribute to the “Help Dez Beat Cancer’s Ass” GoFundMe page here. Bassist and vocalist Jerry Only’s adult son Jerry Junior has been christened as Dez’s replacement; Jr.’s crazy if he doesn’t adopt the stage name Jerry Also (first suggested by Misfits Central message boarder “Mega Man”). In September the Misfits will embark on a U.S. tour wherein, at each stop, they will perform Static Age in its entirety. Why not? Gotta do something to commemorate the album’s 37th anniversary.
By the way, Dez Cadena played with the Misfits for fourteen years (2001-2015), approximately four times longer than his legendary stint in Black Flag. Does that mean he’ll go into the Punk Rock Hall of Fame with corpse paint? Can you even imagine a Punk Rock Hall of Fame? That’s what they should do with that abandoned Burger King on Governors Island in New York. Refurbish it as a shrine to everything Lou Reed wrought.
In July, Jerry Only told Metal Hammer he is in the midst of writing a book about his life. Now I don’t feel so bad about Jer never responding to any of my invitations to lend his voice to This Music Leaves Stains. Jerry’s book will include “a lot of the tragedies,” he says. You’re expecting me to make a Devil’s Rain joke here but I refuse to give you the satisfaction.
On the other side of the tomb: this Friday, Danzig (the band) will release single the first from their long-awaited covers EP Skeletons. Unfortunately, said single, a rousing rendition of the Devil’s Angels theme backed with a version of the Nightriders’ “Satan,” is confined to the European market via a limited edition vinyl run of 500 copies from AFM Records. If there’s a plan for digital release it remains secret for now. There is also no street date in place for the entirety of Skeletons, which shall find Danzig barreling through hits made famous by Black Sabbath, Aerosmith, and ZZ Top. Guys, we wanna buy your stuff. Why make it so challenging? Is that how Lucifer dictates it in the blood oath? I’d have your lawyer renegotiate that parchment.
Meanwhile, Danzig (the man) recently filmed a guest shot for the Peabody Award-winning comedy show “Portlandia.” Details are scarce, but somehow Carrie Brownstein and Fred Armisen convinced our Hellhound to unbutton his shirt and hit the beach. A vaguely iconic photo was produced, if only because it suggests Glenn has reached a new level of self-comfort.
Coincidentally, this pic popped up the same day “Aqua Teen Hunger Force” co-creator Dave Willis appeared on Tom Scharpling’s “The Best Show” to talk about the “Aqua Teen” series finale…and, at the behest of Scharpling, Danzig. Glenn voiced an animated version of himself on Willis’s cult cartoon in 2002 and famously caused a rigamarole before he could even step in the recording booth. Given final say on his two dimensional likeness, Danzig kept rejecting what the animators drew for not having the correct musculature.
“I’m way more cut than that,” was the Danzig money quote relayed from Willis to “Best Show” listeners. In order to circumvent any squabbling about the singer’s height (or lack thereof), “Aqua Teen” simply made him six feet tall from the start. Strategic move.
Now, on “Portlandia,” Danzig has no qualms about his physical definition (or lack thereof) and even told one news outlet he “had a blast.” Thirteen years can sure change a man. Who knows, maybe the people at “Portlandia” are just that much more charming and/or convincing.
And what of Joey Image? Over the Summer the percussionist who plays on the original storied “Horror Business” recorded a new version of that song—plus “Teenagers From Mars” and a couple originals—with Orlando-based punks Awesome & The Asskickers for their free release AAK. Download it here. Sounds like Joey can still rip it the hell up. Adrenalin O.D. drummer Dave Scott provides backup vox on the Misfits tracks (as well as drums on two A.O.D. revivals: “Nice Song” and “White Hassle”).
Speaking of the post-Static Age pre-Walk Among Us Misfits, Bobby Steele’s band the Undead continue to live up to their name: the group has scheduled an appearance at this year’s Chiller Theater convention in Parsippany, New Jersey. October 23-25 with a special performance on the 24th. For more info creep over to their website, TheUndead.com. Also appearing at Chiller 2015: Julie Newmar, Burt Ward, Adam West, and Antonio “Huggy Bear” Fargas!
Having authored a book about the Misfits you’d think I’d write about them here with more regularity. What stops me is concern over becoming trapped as “the Misfits guy” and also a perception that fiend-dom is shrinking as time goes on. Then I see viral stuff like the photo above, a Misfits t-shirt at Wal-Mart, coupled with endless “thumbs down” emojis from disillusioned ghouls of all stripes, and I realize the committed may actually be growing. So I rekindle my own flame. Once again, bonfire burnin’ bright.
Until the next batch of macabre happenings, consider this: the ex-Misfit Doyle is, as of last year, a vegan. No longer is the man who played on “Brain Eaters” a brain eater. Do they make soy brains? If so they must taste terrible.
Jerry Only and Glenn Danzig in August of 1981. Photographer unknown.
Central District of California Judge Gary Klausner threw out Glenn Danzig’s lawsuit against former band mate Jerry Only on August 6th, stating that Danzig failed to specify which exact terms of a 1994 legal agreement between the Misfits Only violated when the latter began merchandising Misfits emblems under his own name in the early 2000s.
Noting that the ’94 agreement does not “address any obligation regarding trademark registration or negotiations with individual retail merchandisers as to licensing,” Klausner stated “the Court finds no alleged facts that constitute a breach of the merchandising provision…the [original paper] contemplates that [Only] has a non-exclusive right to merchandise…and otherwise exploit the designs…[and to] to retain 100% of earnings from such exploitation…the Court also finds no other terms that govern the parties’ conduct as it pertains to trademarking and licensing.”
Indeed, the original settlement clearly states “the parties shall be co-owners of [the Misfits name] and all logo(s)” with no obligation to communicate with each other concerning merchandising deals, but it also says “each party shall retain exclusive ownership of any artwork created by that party.” That’s where Danzig lost this round, it seems: by not emphasizing that he created many of the designs Only’s been licensing. Danzig’s suit merely says it’s his era of the band that’s most closely associated with that stuff. Had he stated, “I created the ‘Fiend Skull,’ I created the ‘Horror Business’ cover and all the other classic Misfits artwork Jerry’s currently selling on his website,” things would probably be moving forward.
Is Danzig afraid of coming right out and claiming to be the hand behind the Fiend Skull, a.k.a. the Crimson Ghost, now that the Crimson Ghost film serial he took it from is owned by Paramount? I’ve mentioned this previously, but Paramount is well aware of that skull’s value. They wanted an astronomical fee to let me print a still from the serial in my book. I imagine this is why every legal paper refers to the logo as the “Fiend Skull.” They’re dancing around the fact they appropriated their most beloved icon from a property that’s now in the hands of a billion dollar company.
Not that Paramount would necessarily bother going after the Misfits; they didn’t own TCG when the band began using that skull, the band has been using it so long w/o repercussion, and how much in damages could they really get? Nothing compared to their weekly budgets, surely.
It’s unclear what will happen from here. Danzig certainly receives his due for making all those album covers Only is putting on t-shirts. However, Glenn did wait a very long time to flex his legal muscles, and although he made some fine points in his lawsuit they weren’t fine enough. To be honest, I’m more concerned about his next album, the covers album. I want that yaz to drop already. My fingers are crossed that it’s close to release and Glenn will hit the road behind it on a “Tryin’ to Pay My Lawyers” tour.
The warring parties of Only and Danzig in 1983. Photo by Bill Daniel.
You bet your life there’s gonna be a fight: Misfits bassist Jerry Only and his lawyers have moved to dismiss the lawsuit Misfits founder Glenn Danzig brought against Only in May for trademark infringement and breach of contract, claiming Danzig has no evidence to back his myriad allegations and also that the singer waited too long to make this legal move.
“By his own insistence, Danzig has had no association with the Misfits since at the latest 1994,” Only’s filing state, going on to make the accusation that the singer is attempting to “unfairly profit” from “belatedly recogniz[ing] the [Misfits’] value” (Danzig is seeking $75,000 in damages from profits lost due to Only’s activities). The term “naked money grab” is also used at one point, which conjures up quite the image if you’re not expecting it in relation to Glenn Danzig.
Danzig’s original suit alleges that in the early 2000s Jerry Only fraudulently put his name on various Misfits logos/trademarks that, per a previous legal settlement, were supposed to be co-owned by band members. Only now claims that original settlement did in fact grant him full use of those logos and trademarks, and that even if they hadn’t, Danzig waited too long to do anything about. The statute of limitations in a situation like this is six years; Danzig had patent objections pending against Only for “nearly ten years” with no conclusion, and his lawsuit comes “approximately fourteen [years]” after the disputed breaches of contract.
Danzig concedes that by 2005 he even had actual knowledge of the underlying facts to exercise his purported rights…yet chose to wait nine more years before bringing his claim.”
This could play into Only’s other serious counter: that Danzig can offer no concrete evidence Jerry’s merchandising activities have cost him business. Indeed, there is no specific example cited in Danzig’s claim of a licensing deal gone south thanks to Jerry Only’s interference.
Touching on the aforementioned legal settlement, a.k.a. the 1994 Misfits Agreement: it states that “the parties shall be co-owners of the name and trademarks of the Misfits and all logo(s) and artwork…previously associated therewithin.” However, Jerry now argues that in “renouncing” the band at that time Danzig also renounced his claims to these logos and trademarks. Although there is no specific language in the ’94 Agreement that covers the contingent of a Misfit abandoning his rights, the “Merch” section ends by saying “the plaintiffs and Danzig will each retain 100% of what each earns from the exploitation of merchandising rights and neither [party] has any obligation to account to the other for revenue derived…”
That sounds like it might be tough to beat. Do note the entire merch outline in the ’94 Agreement is but a paragraph long. It would seem Danzig (at that time the defendant) had little idea as to the exact windfalls of cash the Misfits logos would yield in the following decade—thanks, mostly, to his letting Jerry get out there and reform the band without him.
Not everything with Jerry is rock solid here, though. The bassist’s legals throw out a few sentences that are sure to rub longtime fans as dubious at best. To wit: the part about the Crimson Ghost (a.k.a. “the Fiend Skull”) being “uniquely developed by and identified with” Jerry’s ’90s version of the band, a logo he’s claiming “the 1977-1983 incarnation of the Misfits never used as a trademark.”
If he’s referring to the weird 3-D Crimson Ghost that popped up around 1997, sure, that’s undoubtedly a “NewFits” logo, but there is no staggering difference between that emblem and the “Fiend Skull” that appeared on the front of the 1979 “Horror Business” single and the back of the 1980 Beware EP and on the back of 1981’s Walk Among Us album and all over the Misfits’ amplifiers and wrist bands and guitar straps circa ’82.
[Never mind the fact that every “Fiend Skull” in Misfits history is a shallow derivative of something “uniquely developed” by Republic Pictures for a 1940s film serial.]
Even stranger: Jerry’s motion literally says that what is even worse than Danzig making all these claims is the fact the singer filed his papers in California. “[Danzig] seeks to drag [me] 3,000 miles across the country to defend against his deficient claims.” Methinks the $75k Danzig seeks in damages is more crippling than a plane ticket, but who knows, maybe Jerry’s got some paranoia about earthquakes.
Two other bits of interest:
– Jerry Only boasts that he and his company Cyclopian Music “have developed the Misfits into an iconic lifestyle brand”; that translates to “we got the Misfits logo on shoelaces”
– “it is legally irrelevant with what person or entity, if any, consumers associate a mark and, more precisely, this cannot constitute the likelihood of consumer confusion”; Jerry’s missing the point here in the sense that Misfits fans aren’t worried with marketplace overlap, they just want to make sure they’re giving their money to the Misfit they agree most with artistically (even if Danzig is found guilty of framing Jerry for everything in the past three decades there will still be a loyal army of spenders who live to dump their paychecks into his wallet because of How The Gods Kill)
Said it before, saying it again: justice should prevail in this war. May the guilty be punished and the innocent spared. Also, maybe one side or the other could think about putting Googy on a t-shirt? Need to show my pride.
Jerry Only in 1979. Photo by John Rynski.
“Danzig’s lawsuit can only be described as a sour grapes tantrum based on outrageous allegations, the majority of which are completely false,” Jerry Only announced yesterday in a statement to Alternative Press, continuing to say the accusations of breach of contract and trademark infringement brought forth by his estranged band mate are “ill conceived and grossly misguided and will be proven false in court.” Let’s start making bets on whether or not Only will show up for the trial with his devilock.
Jerry’s statement also claims Danzig’s lawsuit is packed with “falsehoods” and that the whole thing is born from the fact “[his] own product line doesn’t sell as well as he might like.” My favorite part is where Only refers to Glenn Danzig as “former co-founder” of the Misfits. Maybe this is semantics, but you can’t quit having founded something. You can quit being a member, which Danzig did, but creating something isn’t an ongoing process you can walk away from. If you shoot somebody, you can’t say, “Oh no, I formerly shot that guy. I’m not a part of that anymore.” You did it, that’s part of your life and everybody else’s.
A more important point: Jerry Only says he is “under no obligation, legal, contractual or otherwise, to obtain consent, or approvals of any kind, from former member Glenn Danzig in connection with their use of the Misfits name or logos.” This is true, technically, simply because Only registered himself as sole owner of almost all of the pre-existing Misfits marks circa 2000, ignoring the mid-’90s agreement between band members that said they share ownership of said marks. Forgive the U.S. Patent Office for not being terribly familiar with the ongoing saga of punk rock’s most ghoulish.
Maybe there wouldn’t be an issue with Danzig or other original Misfits if Jerry was mainly licensing images from the non-classic version of the band he’s been performing with since Clinton was in office; one look at the official Misfits.com store, however, and you can see that isn’t the case. The front page is laden with accessories boasting Danzig era artwork, including the classic stencil of the Crimson Ghost and the ’80s Fiend Club logo (there’s even a section of t-shirts on the site labeled “vintage series”—all with images created before 1994).
Excuse me for stating the obvious, but it will be very interesting to see how this all plays out and/or what facts further legal action uncovers. One would assume Jerry worked out some deal to use the pre-existing marks on the handful of Misfits albums he made in the late ’90s before getting his name on the logos in 2000. What’s Danzig’s story with that? There has always been an enormous amount of confusion over who owns what in this band, particularly in regard to the artwork. With any luck this case will actually go to trial and we’ll see the clearest picture possible of the imagery lineage.
Also worth noting: Glenn Danzig is not exactly an angel when it comes to business or his business relationships. You don’t have to go very far to find proof of that. He may have told Jerry one thing about these trademarks and decided he had another opinion later. As I’ve stressed since the publication of This Music Leaves Stains: yes, I have my own biases and opinions when it comes to the Misfits, but I try hard to look at all this stuff objectively, and as in any other matter I hope the truly wronged find their justice.
Meanwhile, Black Flag managed to settle all their legal issues, because summer’s coming and they don’t want to harsh that beach mellow. We really wouldn’t want any of those guys to have a [puts on sunglasses] nervous breakdown.
[cue Roger Daltrey scream]