Here’s an interview I did with “Weird Al” Yankovic for Crawdaddy! in 2011. “You asked some very interesting questions,” he remarked when we were done, which for sanity’s sake I must interpret as a compliment. Photo by Casey Curry/Invision/AP.
For three decades, one name has reigned supreme in the field of parody-based musical comedy: “Weird Al” Yankovic. From “Eat It” to “Smells Like Nirvana” to “White and Nerdy,” Yankovic has won the hearts of millions churning out strange, funny twists on Top 40 hits, his appeal spanning various generations, genders, social strata, and pickle preference. Al was kind enough to grant us a few minutes on the eve of his thirteenth full-length release, Alpocalypse, so we could regale the Pride of Lynwood, CA, with queries about his rumored fight with Billy Joel’s relatives, his implied “Family Ties” obsession, and what he knew of Macho Man Randy Savage’s unexpected hamster aversion.
Okay, let’s clear something up right now—did you not release your early ’80s parody “It’s Still Billy Joel To Me” because Billy Joel’s family strongly disapproved and there was some kind of altercation on a red carpet somewhere?
[Laughs] No, no, no…I never put it out because by time I got a record deal the song seemed too dated. It wasn’t topical anymore, there were a lot of references in there I thought people wouldn’t get, and also, it was kinda mean spirited, you know, and that was a little out of character for me. I wrote it in college, never thinking that Billy Joel would actually ever hear it, but eventually some local TV show played the song for him…and he was clearly a little put off by. So, I felt bad.
You have a lot of quasi-legendary unreleased recordings from your early years like “Billy Joel,” such as “Belvedere Cruising” and “Pacman.” Would you ever consider releasing an Al rarities record?
No, because I think the people that would appreciate those songs have already managed to track them down. You can bit torrent all those early horrible tracks I did. [Laughs] I wouldn’t say I’m embarrassed by those songs, but I wouldn’t want to promote them now because they don’t represent my current level of work.
Not to harp on this angle, but everyone knows Prince has steadfastly refused to sign off on your parodies of his work, and it seems from time to time that there’s legitimate anger on your part about that. Was he rude to you about your ideas, or was there an incident?
Yeah, [Prince] has become my scapegoat over the years, but to be fair I haven’t asked him to parody anything in the last decade. Back in the 1980s, though, he obviously had a few hits that I thought leant themselves to parody. Every time I asked, he responded with a flat no, but he never gave a reason. [Sighs] It was frustrating, but there’s no hard feelings. I mean, he never personally threw a drink on me at a party or anything like that. Prince is just a very talented but ostensibly humorless artist.
Has anyone ever been on the fence about your ideas? Like, have you had to gently nudge anyone into agreeing?
Hmmm, my manager would be a better person to ask about that, as he’s the one who’s usually in contact with these people. As far as I know, everyone’s usually very receptive. What I can tell you is a lot of the time [the] management of the people I’m interested in parodying don’t return our calls, like in this recent Lady Gaga incident, so I’m sent on a quest to find original artist. That happened with Kurt Cobain, it happened with MC Hammer—and with the few known exceptions they’re always more than happy to agree to it.
How did you track down Hammer? Did you find out where he shot all those Pepsi commercials and just show up?
[Laughs] No, it was some kind of awards show, like the American Music Awards or something. I went there specifically because I knew he would be performing and I hung around back stage so I could “accidentally” bump into him. And, of course, he was totally cool and receptive to the [“U Can’t Watch This”] parody.
Have you ever had the perfect parody in mind for a song that wasn’t really popular enough to parody?
Well, generally, if a song isn’t popular enough it doesn’t make it on my radar. I’ll tell ya, when Nirvana came on the scene, I didn’t immediately have an idea but I thought, Wouldn’t be cool if they got popular enough to make fun of? Then the album went to number one, and that was that.
Did you have anything on deck in case Nirvana didn’t blow up?
No…if that didn’t happen, I would have just waited for the next cultural movement.
Did you get to hang out with all those celebs in Michael Jackson’s “Liberian Girl” video, or was all that filmed at separate times?
I got to hang out with a lot of them, but not all of them. Dan Aykroyd was there, so was Steve Guttenburg. Michael Jackson wasn’t there, but I had met him previously.
Has any parody of yours ever been a hit that you personally felt was maybe a little subpar, or vice versa? Have you ever had something you thought was amazing that just didn’t go over?
I never really know how things are gonna go. “It’s All About the Pentiums,” I thought that was gonna be a much bigger hit than it was. We had a great high budget video, some hot video vixens, some great celebrity cameos…I thought it was going to be huge. But then it came out, and it wasn’t. Now, when I did “White and Nerdy” a few years later, I knew it was a great song but part of me thought, “This is the same basic subject as [‘Pentiums’],” and then “White and Nerdy” turned out to be my biggest hit ever.
Your new album Alpocalypse is scheduled for release on June 21, which is the joint birthday of “Family Ties” stars Meredith Baxter and Michael Gross. Did you do that on purpose? Is there some kind of hidden “Family Ties” subtext within the album that true fans have to decipher?
Well, everything happens for a reason. No, I can honestly say I didn’t plan that, but I’ll have to look into it, do some research.
Is it true that the late Macho Man Randy Savage almost backed out of his appearance on “The Weird Al Show” in 1997 when he found out he was supposed to lose his wrestling match with Harvey the Wonder Hamster?
Things were definitely touch and go with Randy Savage. He was not sure he should lose to a hamster, and we had to explain to him, you know, “That’s the joke,” that you wouldn’t expect this heavyweight world champion to lose to a hamster. So he said, “Well, alright…it’s not a girl hamster, is it?” [Laughs] And we said, “No, it’s a boy hamster, don’t worry.”