Tag Archive | Mike Myers

Unsolicited Niblets On Recent Late Night Netflix Viewings

“Nuremberg: Nazis On Trial”: Three episode docudrama focusing on the infamous post-war prosecution’s most interesting defendants: the business man who was only sort of a Nazi but still took accountability b/c he knew no one else would, the Nazi second to Hitler who claimed no knowledge of the Holocaust and was apparently very taken aback by what the trial revealed, and the Nazi who believed the Jewish people had hypnotized him into being rude to waiters and that’s why he sided with his country. Fascinating peak into this chapter of history but not the full tale. If you’re anything like me it’ll make you want to read a few books.

“The Amish: Shunned”: Can you believe we’ve had a period of culture we could call Amish sensationalism? This episode of American Experience is far from that—just an honest account of what some individuals go through as they float between strict Amish society and our modern landscape. I felt it in my heart when the one girl decides to return to Amish life but laments how much she’ll miss music.

Supermensch: Alice Cooper’s manager has had a pretty bonkers life. Stumbled his way into working with several icons at once, more or less invented celebrity chefdom, is still searching for love. Mike Myers directed this doc; he definitely needs to direct a few more.

Don’t Stop Believin’: Everyman’s Journey: Classic rock band needs new singer, they scour the Internet, find some kid on YouTube many worlds away. Entertaining enough. I was more intrigued by the sight of Neal Schon in a Clash t-shirt. Had Joe Strummer lived would they have collaborated?

Radio Unnameable: The story of free form deejay Bob Fass, another great piece of everlasting New York City weirdness. You WILL be soothed by his dulcet vocal tones, you WILL want to live in the world of harmony and love he tries to create. Also, you WILL cringe the moment you hear Bobby “Boris” Pickett’s forgotten ode to King Kong ’76.

Unsolicited Landsharking On “SNL 40” (Schwing, It’s Pat)

– watching this special you’d never know exactly how rebellious “Saturday Night Live” was at its inception or various other points in history; every clip package was a parade of smash cuts set to a steady beat, like a home run highlight reel, which robbed many classic moments of the comedic tension that made them so memorable in the first place; three and a half hours and they didn’t even show the very first “SNL” sketch in its entirety (“I would like to feed your fingertips to the wolverines”), the program’s mission statement, still one of the weirdest things that’s ever been on television

– there was so much hoo-ha about Eddie Murphy making an appearance, finally burying whatever cold hatchet he had with “SNL”/his “SNL” legacy, but he didn’t do anything, he just came out and expressed some gratitude while making very awkward clapping gestures; maybe Eddie does have a disease that prevents him from being funny these days

– Joe Piscopo seemed as stiff and unhappy as the real elderly Sinatra; I’m sure he was hoping for a tearful on camera reunion with Murphy; I’m sure he burst a blood vessel during Chris Rock’s monologue about Murphy being “SNL’s” Superman (Rock wasn’t wrong, though)

Wayne’s World remains the most profitable “SNL” spin-off so we’re going to have to endure Wayne and Garth reunion sketches (no matter how pointless or meandering) until Mike Myers and Dana Carvey are both dead (if Carvey dies first I’d put major cash on Myers replacing him with Bill Hader); I wish they’d let the characters age, I’m far more interested to see Wayne at fifty

– Kanye seemed pretty excited to be caught in Wayne’s World

– the best part of “SNL 40” was of course an unscripted moment: Norm Macdonald trying to swerve the Chevy Chase introduction into the nearest ditch, a fine reminder of how brutally unsentimental the show can be (times like that are when “SNL” is tops) and how you can always rely on Norm

– related to that last point: it was wild to see the varying levels of talent on display, in the sense that you have to give Fred Armisen some kind of prop or character but Norm or Bill Murray can just come out and be themselves and everyone’s delighted

– it was cool to see Jane Curtain Weekend Updating with Tina and Amy

– it was cool to see Ellen Cleghorne

– it was not cool to see famous people “covering” their favorite characters

– I don’t know how to feel about Miley Cyrus as an entertainer or a human but she clearly has talent, by which I mean she made me give a shit about a Paul Simon song; I’d buy that rendition on vinyl

– the audience kept the applause at fair levels throughout the dead person montage; doesn’t feel like anyone was slighted, and they chose really wonderful/wonderfully evocative photos of each figure

– all those fucking montages and not one devoted entirely to the rich history of musical performance on “SNL”; sorry, legendary artists who so often were the only bits of the program worth watching, this “Californians” sketch has to be eight decades long

– ego probably prevented a lot of great comedy from happening

– “SNL” has constructed a successful enough business model that it may never go off the air; I’d like it to, only to see if another comedic incubator of its caliber would ever come along

– what a shame [obscure cast member] didn’t get any shoutouts

Dust…Wind…Dude.

A few years ago I almost married someone whose only true flaw was a distaste for Bill & Ted’s Excellent Adventure. She thought BTEA was incredibly dumb (I believe her exact words were “This movie, ugh…it’s soooooooooooooo dumb!”). Look, you can accuse director Stephen Herek’s sophomore effort of many crimes and be correct—it’s very dated in pockets, Ted’s brother doesn’t get enough screen time, Napoleon Bonaparte was not actually that short—but you can’t call the movie dumb. Not in my book. The concept is incredible.

What if the spiritual deity who could bring peace and balance to our world materialized as a pair of D+ suburban metalheads, and what if the key to their success involved time travel? It makes Wayne’s World look like the shallow ego party it actually is. What does Wayne stand to lose in his movie? A girl? A tv show? The fate of our universe is in Bill & Ted’s hands, and they’re not even smart enough to get on public access. I guess my point is Mike Myers kinda sucks and I’m glad I’m not raising children right now in a divided household.