Tag Archive | The Great Star Wars Synchronicity Project Part II

The Great Milenko Doesn’t Really Synch Up With Star Wars

If any of Insane Clown Posse’s “joker’s card” albums synch up with the original Mark Hamill Star Wars it isn’t The Great Milenko. I tried doing that yaz the other night (starting the album, as always, after the second drum roll in the 20th Century Fox fanfare) and barely noticed the following:

– the Star Wars logo appears the same time that mysterious organ begins playing in the intro skit

– Alice Cooper’s narration begins as the opening crawl appears

– the opening crawl is fading away at the same moment Alice Cooper warns of the “arrival of the Great Milenko”

– the lyric “broke your neck” is heard in “Hokus Pokus” as Darth Vader is seen choking that rebel soldier on the Tantive IV

– the lyric “might shoot somebody” is heard in “Hokus Pokus” as that jawa shoots R2-D2 on Tatooine

– the lyric “little punk ass” is heard in “How Many Times” at the same moment Luke Skywalker first appears

It was massive stretches of nothing after that. I’m not sure how I kept myself from [INSERT ICP-SPECIFIC FORM OF VIOLENCE].

Fun fact: The Great Milenko was released in 1997, the same year George Lucas debuted his “Special Editions” of the Star Wars trilogy. I’m not sure what’s crazier—rapping clowns from another dimension whose fixations include graphic murder and off-brand soda or “Jedi Rocks.” Did we really need to see Boba Fett gettin’ his swerve on with hot alien chicks?

Slayer’s Reign In Blood Totally Synchs Up With Star Wars

Way back in 2006 I conducted a year-long “study” wherein I tried to find an album that synched up with the original Star Wars a la Pink Floyd’s Dark Side of the Moon and The Wizard of Oz. My “findings” can still be viewed here; a much more concise and readable overview of the entire affair, however, is available via this sexy thing.

Green Day’s American Idiot ultimately proved itself to be Star Wars’s Dark Side OTM, but I’ve always wondered: Is there anything that synchs up to the same degree that isn’t an eyeliner-laden anti-Bush rock opera? Now I’m ready to continue the search, because I don’t have a job or a girlfriend or any responsibility that would prevent me from further dilly-dallies in sensory deprivation.

Welcome to the Great Star Wars Synchronicity Project Part II: Ewok Boogaloo. This time, it’s personal.

Last night I sat down with Slayer’s Reign in Blood, that satanic heavy metal delight from 1986, and fired up the original original Star Wars to see what magic would unfold. Per my previous experimentations, I started the album immediately after the second drumroll in the 20th Century Fox fanfare. Behold, the eighteen moments of synchronization I witnessed:

– the phrase “destroy” in “Angel of Death” is heard as the word “destroy” in the opening text scroll is approximately mid-screen

– the opening scroll fades away just as the breakdown in “Angel of Death” begins

– the Tantive IV flies onscreen the same moment “Angel of Death” resumes its normal speed

– a drumroll in “Angel of Death” occurs at the same moment the droids are seen reeling from an explosion (it looks like the drumroll made them shake and shimmy)

– Darth Vader strolls aboard the Tantive IV to survey the body count as we hear the lyric “angel of death, monitor the kingdom of the dead”

– “Piece by Piece” begins at the same moment Princess Leia shoves that disc into R2-D2

– a closeup of Darth Vader’s face appears at the same moment we hear the lyric “no emotion, death is all I see”

– the phrase “a flash” is heard as the stormtrooper fires his stun ray at Princess Leia

– the lyric “the only one way out of here” in “Piece by Piece” is heard as the droids are seen getting into the escape pod, and the song ends at the same moment a laser blast explodes over C-3PO’s head

– “Jesus Saves” plays through the entire sequence where the jawas save R2-D2 from, uh, hours of rolling along to nowhere in the desert

– the guitars in “Criminally Insane” start at the exact moment R2-D2 begins shuffling through the sandcrawler

– “Reborn” begins playing the same moment we first see Luke Skywalker (Luke = the rebirth of the Jedi)

– the lyric “I can’t control my destiny” is heard as the doomed Uncle Owen is in closeup (Uncle Owen has no control over his destiny to become a charred corpse via angry stormtroopers)

– the lyric “leave you ripped and torn” is heard as C-3PO is in closeup (Threepio is seen ripped and torn at various points during the Star Wars trilogy)

– the opening thunderclap of “Raining Blood” is heard the moment Luke gets up from the dinner table to run off in a huff

– the lyrics “awaiting the hour of reprisal, time slips away” are heard as Uncle Owen is seen looking for Luke (“He better have those droids in the south field by midday or there’ll be hell to pay!”)

– the final really loud thunderclap of “Raining Blood” coincides with R2-D2’s alarm concerning invading sandpeople

– “Raining Blood” stops at the exact moment the sandpeople drop an ostensibly dead Luke Skywalker on the ground

Pretty trippy, but nowhere near as synchronized as American Idiot. The hunt continues. I’ve acquired a lot of new music since 2006 and I’m sure I can find something that blows Green Day out of the water (even though I may have concluded the exact opposite in the past).