Testy McCheckcheck (w/ Zeke)
This is a test post because my last entry Houdini’d its title. To make it worth your while, I have included twenty minutes of punk n’ rollers Zeke tearing up some stage in 1998.
I remember the first time I heard Zeke. It was Dirty Sanchez, right after it came out. I’m being dead serious when I say I thought it was too good and did not listen to it again for over a decade. I just couldn’t handle it. I felt like I was having a heart attack when I heard it. Has that ever happened to you?
Some Radiohead albums are like that for me as well. One or two Prince cuts too. That Prince, with his dirty funk!
Unsolicited Notes / Thoughts On We’re A Happy Family
Yes, the Ramones tribute album that came out in 2003, featuring such heavy hitters as Metallica, Garbage, Green Day, and Pete Yorn. Picked up a copy for my birthday after a decade of not really listening to it.
– wish I could say I read / enjoyed Stephen King’s liner notes but it’s four center-aligned pages with no paragraph breaks and he uses the phrase “tuff titty” in line three
– the ratio of artists who perform the songs in the style of the Ramones to artists who perform the songs in “their own unique interpretation” breaks down roughly 40/60; this is fine, as I didn’t expect Rancid to add tuba to “Sheena IAPR” and I sure didn’t expect Marilyn Manson to just plug into a Marshall to play “The KKK Took My Baby Away” at its normal tempo
– the top gun here is Tom Waits’s repurposing of “Jackie & Judy” as greasy juke joint blues howl (which has extra glow b/c it feels like Tom’s thank you note for the brilliant cover of his own “I Don’t Want To Grow Up” the ‘Mones slapped on Adios Amigos); second best is any cut where the artist commits to the melodic genius of the source material (Rooney’s “Here Today, Gone Tomorrow,” the Eddie Vedder / Zeke stuff)
– how do you sexualize “Havana Affair?” I don’t know, but the Red Hot Chili Peppers found a way
– Rob Zombie’s “Blitzkrieg Bop” is just as awkward and ham-fisted as my memory suggested; speaking of precious moments, I remember VH-1 did a special on Johnny Ramone while he was co-producing this album and the cameras were a’rollin’ when this Zombie-fied version of “Bop” first hit his ears…Johnny’s face wore a perfect mix of deer-in-headlights confusion, faint disgust, and slight arousal
– Eddie Vedder’s decision to do “Daytime Dilemma (Dangers of Love)” with America’s best punk n’ roll band is why he’s Eddie Vedder; the Offspring’s decision to turn in a copy of “I Wanna Be Sedated” they recorded five years earlier for a Seth Green comedy is why they’re the Offspring
– I don’t think U2 could do a more “U2” version of “Beat On The Brat” but I won’t bust on them because I know Bono’s heart is in the right place when it comes to Da Bruddahs
– the inclusion of Kiss is curious, not just because they were contemporaries of the Ramones (and not part of some subsequent musical generation) but also because Johnny Ramone made a big point in his autobiography about how much he never liked the music of Peter, Paul, & the Demon; whatever the reason behind it (tax write-off?) Kiss transforms “Do You Remember Rock n’ Roll Radio?” into the Best Buy jingle you always knew it could be
– surprisingly, the tender rendition of “Something To Believe In” by the Pretenders is not the most recent thing that band has done; they had a record out in 2008!
– leave it to John Frusciante to turn “Today Your Love, Tomorrow The World” into a hippie hymnal (and a fucking good one at that)
– no photos of Richie Ramone in the booklet 😦
Q: What Would It Take To Get You Into Wal-Mart On Xmas Eve?
A: In the center of the store there must be such a gross amount of Surge twelve packs left over from 1997 that the employees have fashioned it all to look like some world famous landmark, like the Taj Mahal or the Parthenon. They also must take out singular cans and have them about the perimeter of said display like little people, dressed in the appropriate costumes (for instance, if it’s the Parthenon, little togas and laurel wreaths).
Next to that, there must be an aisle of Star Wars DVDs / Blu-Rays featuring the original three movies—Star Wars, The Empire Strikes Back, Return of the Jedi—in their unaltered theatrical form. A bonus disc must be bundled with these DVDs containing the alternate version of Revenge of the Sith I literally dreamed one night in 2005; centered around some sort of mystical time capsule on Hoth, my subconscious version of Sith magically explains away all the frustrating bullshit from the first two Star Wars prequels and is infinitely more captivating than any frame of the real movie.
The in-house music must be playing the Zeke discography and the Wal-Mart staff must be comprised of Pam Grier, Charo, Elvira, Rip Taylor, Jodie Foster, Johnny 5 from Short Circuit, John Gemberling, and E.T. era Drew Barrymore. I must be driven to this Wal-Mart (the exterior of which must also feature a mural celebrating my life’s accomplishments) in the original Ectomobile by Annie Potts. When I finish checking out, Chuck Barris must come out from behind a curtain to smash me in the face with a creme pie.
“Jaye P. Mor-gone!” Barris must exclaim. “What do you think of James Greene’s purchases?”
Jaye P. Morgan must then appear to say something withering.

Who Am JG2?
A CONVENIENT PARALLEL DIMENSION
BRAVE PUNK WORLD
My second book is called Brave Punk World: The Internat’l Rock Underground From Alerta Roja to Z-Off and it is now available for purchase. It’s about the development of punk rock in other countries. All the info you want / need about it is right here (click here!).
The Misfits Book
